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Grundik Kasyansky, "
Light and Roundchair", Portuguese label
Creative Sources.
#1 10.9.2005
#2 turnover
#3 radio dostoevsky fm
#4 radio dostoevsky fm, the holy day broadcast,
Grundik Kasyansky electronics
Recorded in Inwood, New York City on October 9, 2005, August, 5 2005, December 18, 2005 and December 29, 2005
Total Time © 2006
Cover design Carlos Santos Similar Posts:
- Июль 13, 2006: Brian Olewnick, Bagatellen, Light and Roundchair, 2006, 13.07.2006
Recently, [N:Q], the quartet of Nantes-based musicians including Keith Rowe, has taken to at least occasionally performing with nothing but radios. Though radio as an infinitely rich “color” among other instruments has a long history by now, presenting it as a sole sound source is a tricky affair. The “easy” thing to do would be
- Август 24, 2005: 24-28.08.05 Theatre-dance piece Homo Dramaticus
24-28.08.05 Theatre-dance piece Homo Dramaticus
August 24 @ 7:00 p.m. August 27 @ 3:00 p.m. August 28 @ 7:00 p.m. $15 At the Repertorio Espanol: 138 East 27th Street, NYC, 10016.
director: Ximena Garnica original music: Grundik+Slava
- Октябрь 18, 2004: haindkl, for electronics and birds, 18.10.2004
Based on cyclic and light sounds the fourth Grundik + Slava album gently explore new solutions in experimental music. “Lost fado” for example is based on percussive sounds, pads, Asian choirs and could explain really well what I mean. The title …FOR ELECTRONICS AND BIRDS and the cover art, are both a good hint about
- Март 16, 2008: Jack Wright, Grundik Kasyansky – “Chinese Nightingale/First Meeting”
jack and i just released few pieces at mattin’ desetxea net-label
obviously everything’s for free download (high resolution OGG)
Jack and I first played in December 2006. He and his saxophones arrived in our New York apartment early one Saturday afternoon and very soon I found myself involved in a super intense, almost unbearable set, which
- Август 2, 2006: Frans De Waard, Vital Weekly, Light and Roundchair, 2006
Of much more interest is the disc by one Grundik Kasyansky, which sounds Russian, but the four pieces were recorded in New York City. Kasyansky uses a feedback synthesizer, computer, small theremin and radios, to create one very long piece, and the three others last from four to nineteen minutes. This is quite a