Grundik Kasyansky, “Light and Roundchair”, Creative Sources

Grundik Kasyansky, "Light and Roundchair", Portuguese label Creative Sources. #1 10.9.2005 #2 turnover #3 radio dostoevsky fm #4 radio dostoevsky fm, the holy day broadcast, Grundik Kasyansky electronics Recorded in Inwood, New York City on October 9, 2005, August, 5 2005, December 18, 2005 and December 29, 2005 Total Time © 2006 Cover design Carlos Santos

Similar Posts:

  • Июль 13, 2006: Brian Olewnick, Bagatellen, Light and Roundchair, 2006, 13.07.2006
  • Recently, [N:Q], the quartet of Nantes-based musicians including Keith Rowe, has taken to at least occasionally performing with nothing but radios. Though radio as an infinitely rich “color” among other instruments has a long history by now, presenting it as a sole sound source is a tricky affair. The “easy” thing to do would be
  • Август 24, 2005: 24-28.08.05 Theatre-dance piece Homo Dramaticus
  • 24-28.08.05 Theatre-dance piece Homo Dramaticus August 24 @ 7:00 p.m. August 27 @ 3:00 p.m. August 28 @ 7:00 p.m. $15 At the Repertorio Espanol: 138 East 27th Street, NYC, 10016. director: Ximena Garnica original music: Grundik+Slava
  • Октябрь 18, 2004: haindkl, for electronics and birds, 18.10.2004
  • Based on cyclic and light sounds the fourth Grundik + Slava album gently explore new solutions in experimental music. “Lost fado” for example is based on percussive sounds, pads, Asian choirs and could explain really well what I mean. The title …FOR ELECTRONICS AND BIRDS and the cover art, are both a good hint about
  • Март 16, 2008: Jack Wright, Grundik Kasyansky – “Chinese Nightingale/First Meeting”
  • jack and i just released few pieces at mattin’ desetxea net-label obviously everything’s for free download (high resolution OGG) Jack and I first played in December 2006. He and his saxophones arrived in our New York apartment early one Saturday afternoon and very soon I found myself involved in a super intense, almost unbearable set, which
  • Август 2, 2006: Frans De Waard, Vital Weekly, Light and Roundchair, 2006
  • Of much more interest is the disc by one Grundik Kasyansky, which sounds Russian, but the four pieces were recorded in New York City. Kasyansky uses a feedback synthesizer, computer, small theremin and radios, to create one very long piece, and the three others last from four to nineteen minutes. This is quite a